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Set of 5 Pin Buttons | Consent, Boundaries & Rising | Loui Crow Lyrics
$20.00
A Note on These Pins:
I pulled these lines from three different albums, but they belong together. They're all part of the same conversation.
"Pretty was never the problem. His eyes were." — from Pretty Is A Death Sentence on my album OLD BONES. I spent years believing that if I could just make myself small enough, quiet enough, ugly enough, I would be safe. I dressed like a boy, avoided the male gaze, learned to disappear. And it still happened anyway. That line is the moment I realized: the problem was never my body. The problem was the eyes that saw it as something to take.
"Nothing crosses without consent." — from my Mom Magick Ritual of Protection. A boundary in motion. A reminder that my space is mine. My body is mine. Nothing enters without my permission. It's a line I whisper to myself when I feel the old freeze creeping in.
"I wasn't kneeling. I was waiting to rise." — from On My Knees on my album GORGEOUS. That song is about the freeze. The fawn. The years I said yes when I meant no. The years I went quiet to survive. But the outro flips it — I wasn't kneeling. I was waiting to rise.
I put these three lines together because they tell the story of learning to reclaim my body, my space, my voice. From the freeze, to the boundary, to the rising. It's a messy, non-linear journey. But it's mine.
I think of them as small reminders for anyone else who needs them. If you want to carry these words with you, they're here. And if you don't, that's okay too. The songs are always free to listen to.
Thank you for looking. Thank you for rising.
🐦⬛
Product Description:
They’re lightweight, sturdy, and easy to put on. With a scratch and UV-resistant coating and a glossy finish, these pin buttons are made to last.
• They come in a set of 5
• Made of tinplate
• Scratch and UV-resistant mylar coating
• Glossy finish
• Easy to put on
Age restrictions: For adults
EU Warranty: 2 years
Other compliance information: Meets the flammability, lead, cadmium, mercury, nickel, phthalates, organotin, Polycyclic aromatic hydrocarbons, small parts, sharp edges and sharp point level requirements.
In compliance with the General Product Safety Regulation (GPSR), Oak inc. and SINDEN VENTURES LIMITED ensure that all consumer products offered are safe and meet EU standards. For any product safety related inquiries or concerns, please contact our EU representative at gpsr@sindenventures.com. You can also write to us at 123 Main Street, Anytown, Country or Markou Evgenikou 11, Mesa Geitonia, 4002, Limassol, Cyprus.
I pulled these lines from three different albums, but they belong together. They're all part of the same conversation.
"Pretty was never the problem. His eyes were." — from Pretty Is A Death Sentence on my album OLD BONES. I spent years believing that if I could just make myself small enough, quiet enough, ugly enough, I would be safe. I dressed like a boy, avoided the male gaze, learned to disappear. And it still happened anyway. That line is the moment I realized: the problem was never my body. The problem was the eyes that saw it as something to take.
"Nothing crosses without consent." — from my Mom Magick Ritual of Protection. A boundary in motion. A reminder that my space is mine. My body is mine. Nothing enters without my permission. It's a line I whisper to myself when I feel the old freeze creeping in.
"I wasn't kneeling. I was waiting to rise." — from On My Knees on my album GORGEOUS. That song is about the freeze. The fawn. The years I said yes when I meant no. The years I went quiet to survive. But the outro flips it — I wasn't kneeling. I was waiting to rise.
I put these three lines together because they tell the story of learning to reclaim my body, my space, my voice. From the freeze, to the boundary, to the rising. It's a messy, non-linear journey. But it's mine.
I think of them as small reminders for anyone else who needs them. If you want to carry these words with you, they're here. And if you don't, that's okay too. The songs are always free to listen to.
Thank you for looking. Thank you for rising.
🐦⬛
Product Description:
They’re lightweight, sturdy, and easy to put on. With a scratch and UV-resistant coating and a glossy finish, these pin buttons are made to last.
• They come in a set of 5
• Made of tinplate
• Scratch and UV-resistant mylar coating
• Glossy finish
• Easy to put on
Age restrictions: For adults
EU Warranty: 2 years
Other compliance information: Meets the flammability, lead, cadmium, mercury, nickel, phthalates, organotin, Polycyclic aromatic hydrocarbons, small parts, sharp edges and sharp point level requirements.
In compliance with the General Product Safety Regulation (GPSR), Oak inc. and SINDEN VENTURES LIMITED ensure that all consumer products offered are safe and meet EU standards. For any product safety related inquiries or concerns, please contact our EU representative at gpsr@sindenventures.com. You can also write to us at 123 Main Street, Anytown, Country or Markou Evgenikou 11, Mesa Geitonia, 4002, Limassol, Cyprus.
A Note on These Pins:
I pulled these lines from three different albums, but they belong together. They're all part of the same conversation.
"Pretty was never the problem. His eyes were." — from Pretty Is A Death Sentence on my album OLD BONES. I spent years believing that if I could just make myself small enough, quiet enough, ugly enough, I would be safe. I dressed like a boy, avoided the male gaze, learned to disappear. And it still happened anyway. That line is the moment I realized: the problem was never my body. The problem was the eyes that saw it as something to take.
"Nothing crosses without consent." — from my Mom Magick Ritual of Protection. A boundary in motion. A reminder that my space is mine. My body is mine. Nothing enters without my permission. It's a line I whisper to myself when I feel the old freeze creeping in.
"I wasn't kneeling. I was waiting to rise." — from On My Knees on my album GORGEOUS. That song is about the freeze. The fawn. The years I said yes when I meant no. The years I went quiet to survive. But the outro flips it — I wasn't kneeling. I was waiting to rise.
I put these three lines together because they tell the story of learning to reclaim my body, my space, my voice. From the freeze, to the boundary, to the rising. It's a messy, non-linear journey. But it's mine.
I think of them as small reminders for anyone else who needs them. If you want to carry these words with you, they're here. And if you don't, that's okay too. The songs are always free to listen to.
Thank you for looking. Thank you for rising.
🐦⬛
Product Description:
They’re lightweight, sturdy, and easy to put on. With a scratch and UV-resistant coating and a glossy finish, these pin buttons are made to last.
• They come in a set of 5
• Made of tinplate
• Scratch and UV-resistant mylar coating
• Glossy finish
• Easy to put on
Age restrictions: For adults
EU Warranty: 2 years
Other compliance information: Meets the flammability, lead, cadmium, mercury, nickel, phthalates, organotin, Polycyclic aromatic hydrocarbons, small parts, sharp edges and sharp point level requirements.
In compliance with the General Product Safety Regulation (GPSR), Oak inc. and SINDEN VENTURES LIMITED ensure that all consumer products offered are safe and meet EU standards. For any product safety related inquiries or concerns, please contact our EU representative at gpsr@sindenventures.com. You can also write to us at 123 Main Street, Anytown, Country or Markou Evgenikou 11, Mesa Geitonia, 4002, Limassol, Cyprus.
I pulled these lines from three different albums, but they belong together. They're all part of the same conversation.
"Pretty was never the problem. His eyes were." — from Pretty Is A Death Sentence on my album OLD BONES. I spent years believing that if I could just make myself small enough, quiet enough, ugly enough, I would be safe. I dressed like a boy, avoided the male gaze, learned to disappear. And it still happened anyway. That line is the moment I realized: the problem was never my body. The problem was the eyes that saw it as something to take.
"Nothing crosses without consent." — from my Mom Magick Ritual of Protection. A boundary in motion. A reminder that my space is mine. My body is mine. Nothing enters without my permission. It's a line I whisper to myself when I feel the old freeze creeping in.
"I wasn't kneeling. I was waiting to rise." — from On My Knees on my album GORGEOUS. That song is about the freeze. The fawn. The years I said yes when I meant no. The years I went quiet to survive. But the outro flips it — I wasn't kneeling. I was waiting to rise.
I put these three lines together because they tell the story of learning to reclaim my body, my space, my voice. From the freeze, to the boundary, to the rising. It's a messy, non-linear journey. But it's mine.
I think of them as small reminders for anyone else who needs them. If you want to carry these words with you, they're here. And if you don't, that's okay too. The songs are always free to listen to.
Thank you for looking. Thank you for rising.
🐦⬛
Product Description:
They’re lightweight, sturdy, and easy to put on. With a scratch and UV-resistant coating and a glossy finish, these pin buttons are made to last.
• They come in a set of 5
• Made of tinplate
• Scratch and UV-resistant mylar coating
• Glossy finish
• Easy to put on
Age restrictions: For adults
EU Warranty: 2 years
Other compliance information: Meets the flammability, lead, cadmium, mercury, nickel, phthalates, organotin, Polycyclic aromatic hydrocarbons, small parts, sharp edges and sharp point level requirements.
In compliance with the General Product Safety Regulation (GPSR), Oak inc. and SINDEN VENTURES LIMITED ensure that all consumer products offered are safe and meet EU standards. For any product safety related inquiries or concerns, please contact our EU representative at gpsr@sindenventures.com. You can also write to us at 123 Main Street, Anytown, Country or Markou Evgenikou 11, Mesa Geitonia, 4002, Limassol, Cyprus.