3. Couldn’t Be Quieted

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Loui Crow - Streaming Everywhere

INTRO
Mom and dad always said —
"She cried too much. She could not be quieted."
Like I was a broken machine, not a child with a need.
But somewhere along the way, I did go quiet.

VERSE 1
My tears were a problem. They had to fix me.
Momma pinched the back of my arms. Hard. Where no one else would see.
The mark stayed inside. Left a flinch where the light went dark.
They called me dramatic. I just feel everything.
Momma passed the lesson through her fingertips.
Water on my face — I still freeze.
A splash from a story they think is a joke.
My body remembers what my mind forgot.
The quiet they bought didn't last long.
It just went underground and learned to wait.
Aggressive nostalgia. I don't remember when I stopped crying.
They remember the quiet. I remember the pinch.

PRE-CHORUS
Pinch me, I'm sensitive.
Pinch me. Yeah, I'm sensitive.
A quiet time bomb.

CHORUS
They told me: learn to grow a thicker skin. I tried.
They said: the world will eat you alive. It did.
A delicate stillness, thorn in my side —
so I wouldn't break their fragile peace.
I cried and cried — I couldn't be quieted.
I'm still sensitive. I couldn't be quieted.

VERSE 2
Daddy tied me and my brother together —
nose to nose, a belt around our middle.
We had to face each other's silence.
Forced proximity to the one I was fighting.
The logic was a knot I still can't untie.
Timeouts meant nose to the wall. For hours.
The plaster memorized my breath.
I learned to stare at a single speck.
That's how I learned to stay still while everything inside me ran.
I wanted to be held without a reason.
They wanted a daughter who wouldn't feel so much.
I was born with the volume turned up.
They tried to turn it down — pinch, splash, wall, belt.
But the crying was my compass. They thought the quiet was a cure all.
It just moved the ache deeper. They wanted a polite daughter.
They got a ghost in a good dress.
They met my tears with scorn. Now I meet their nostalgia with silence.

PRE-CHORUS
Pinch me, I'm sensitive.
Pinch me. Yeah, I'm sensitive.
A quiet time bomb.

CHORUS
They told me: learn to grow a thicker skin. I tried.
They said: the world will eat you alive. It did.
A delicate stillness, thorn in my side —
so I wouldn't break their fragile peace.
I cried and cried — I couldn't be quieted.
I'm still sensitive. I couldn't be quieted.

BRIDGE
Momma's pinch was sufficient training. The quiet stuck.
My blood rang cold every time she reached for me.
I tried to be what they wanted, but I lost their love anyway.
The quiet bought me time. Then charged interest.
I'm sensitive.

CHORUS
They told me: learn to grow a thicker skin. I tried.
They said: the world will eat you alive. It did.
A delicate stillness, thorn in my side —
so I wouldn't break their fragile peace.
I cried and cried — I couldn't be quieted.
I'm still sensitive. I couldn't be quieted.

OUTRO
They say it's a false memory. Maybe.
Scorn is a quiet violence. It doesn't leave a mark. Just a flinch.
Little sympathy for the little ghost who cried too much.
I'll give it to her myself.
I'm sensitive.
Pinch me — I'm still here. After everything.
I won't be quieted.

Loui Crow

I make music, practice mirror work, sometimes I do somatic rage fits, and small forms of magick that help me stay present and kind while things change.

I write songs for myself, my inner child, and for the woman I am becoming.
I work through old patterns, grief, and survival habits as I notice them loosening.

Sometimes I write as the Crow — that's my ideal self. Direct, unattached, protective, grounded in something older than my fear. Other voices come through too. The snake. The spider. The fly. The ghosts are the false selves I created to survive. I write as all of them, for my own self-hypnosis — unpacking who I've been so that my son can fill his days with joy and I can stop being such a reactive parent. I'm in the middle of it all. I just keep showing up.

I use Suno for vocals and instrumentals — the vocals are seeded from my own voice. I'm a disabled veteran and a stay-at-home mom.

Over the last year, I climbed an emotional ladder I didn't know I was on. Many of my earlier releases were the scream — my depression, anger, insecurity.

The last album that came out of that climb is called "Mirror, Mirror off the Wall." It starts with depression and ends with gratitude.

Much of what lives here carries the influence of Louise Hay and Abraham Hicks, especially the idea that my body listens to my thoughts — and that where I place my attention, my life follows.

I leave breadcrumbs in case anyone resonates.

Take what feeds you.
Leave the rest for the birds.

I am molting.
You are welcome here.

https://louicrow.com
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2. Not What We Wanted

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4. Before I Hated Them, I Hated Me